
More-Than-Perfect
Explorations of Black T/Senses of Future
More-than-Perfect: Explorations of Black T/Senses of the Future hosts artists, scholars, educators, and activists in a series of conversations that explore and speculate how black radical thinking and imagining can support critical understanding and generative political responses to this recent resurgence of liberalism’s authoritarian streak.
Key to this program is that it creates a generative space for collaborations and conversations around which is a crucial aspect of our project: the cultivation of an image of existence, a world not premised on the kind of political violence that has marked the trajectory of black and indigenous populations in modern history and is epitomized by the authoritarian regimes.
This three-year project will gather Miami and New York-based black artists, scholars, educators, and activists as well as others from North America, Latin America and the Caribbean who have been engaged in the creation or recuperation or recollection of images, words, ideas, objects, and projects towards a world where black subjugation, all forms of violence against black persons and in black territories are not naturalized and/or met with indifference. Through in person and online hybrid events, the program’s fellows and residents will share and learn about social subjugation as well as critical, creative, and emancipatory black mobilization across the western hemisphere.
The More-Than-Perfect program is part of the Mellon Project Title: A Counter-Imaginary in Authoritarian Times, * which is developed by NYU’s Critical Racial and AntiColonial Study Co-Lab in collaboration with Professor Valerie L. Patterson and Professor Alexandra Cornelius (Florida International University’s Department of Social and Global Studies) and the platform EhChO.org. The Principal Investigators of the Mellon Project are: Judith Butler (Co-Chair, ICCTP Board), Debarati Sanyal (Director CICI), Shannon Jackson (Acting Chair Department of the History of Art), and Denise Ferreira da Silva (Co-Director, Critical Racial & AntiColonial Study-CRACS Co-Lab, NYU).
Upcoming Events
Virtual Study Group (Online) By Invitation Only
Friday 25 April, 5-6pm EST
Prof. Denise Ferreira da Silva (NYU), Prof. Valerie Patterson (FIU) and Prof. Alexandra Cornelius (FIU) will introduce the overall concept of the project.
Thursday 15 May, 5-6pm EST
Artist-in-Residence Maya Quilolo (UFMG-Brazil)
Thursday 22 May, 5-6pm EST
Visiting Fellow Prof. Tina Post (UChicago)
Seminars & Lectures
May 2
5:00 - 7:00 pm
Institute of Human Development and Social Change (IHDSC)
196 Mercer St, 8th floor
Tina Post: Deadpan: The Aesthetics of Black Inexpression
Join NYU’s CRACS Co-Lab on May 2nd, for the seminar of Prof. Tina Post, the first Visiting Fellow of our Mellon's More-than-Perfect project. Arguing that inexpression is a gesture that acquires distinctive meanings in concert with blackness, Deadpan: The Aesthetics of Black Inexpression tracks instances and meanings of deadpan—a vaudeville term meaning “dead face”—across literature, theater, visual and performance art, and the performance of self in everyday life. Through this varied archive, Post reveals how deadpan aesthetics function in and between opacity and fugitivity, minimalism and saturation, excess and insensibility. Tina Post reveals that the performance of purposeful withholding is a critical tool in the work of black culture makers, intervening in the persistent framing of African American aesthetics as colorful, loud, humorous, and excessive. Please email us to register and receive the reading materials.
Tina Post is Associate Professor of English and Theater and Performance Studies, and an associate member of Art History and the Department of Visual Arts, at the University of Chicago. Her scholarly articles have appeared in ASAP/Journal, Modern Drama, TDR, International Review of African American Art (IRAAA), and the edited collection Race and Performance after Repetition. Her creative work can be found in Imagined Theaters, Stone Canoe, The Appendix, and Portable Gray.
May 8
5:00 - 7:00 pm
NYU
Now, what?! Confronting Authoritarianism: Respect for Reality
Visiting Scholar Henrike Kohpeiß will guide the next More-Than-Perfect study group Now, what?! Confronting Authoritarianism: Respect for Reality.
In his investigation of “Mourning and Melancholia“, Freud grapples with the meaning of loss for the individual psyche. Loss, he holds, is an experience that essentially disorients the subject in its relationship with the world and it poses a challenge to regain orientation in it. “Respect for Reality“, Freud says, is what the individual must find in order to continue its life without remaining stuck in a melancholic trap. Freuds proposal has been discussed in order to measure the impact of ecological losses on human communities by considering their relation to land and environment. Confronting Freuds essay with Axelle Kareras critical study on Blackness and the Anthropocene, the question shifts: How to make sense of losses when necropolitical regimes of coloniality have always already rendered entire areas as well as racialized lives as disposable, as lost by default? And how is it possible to respond to these realities of destruction when they are being obscured within infrastructures of unfeeling?
Please email us to register and receive the exact location and reading materials.
Henrike Kohpeiß is a philosopher and postdoctoral researcher at the research center “Affective Societies” at Free University of Berlin an the author of the book Bourgeois Coldness (divided publishing).